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Macbeth. So foul and fair a day I have not seen.
Banquo. How far is't call'd to Forres? What are these
So wither'd and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? You seem to understand me,
By each at once her chappy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.
Third Witch. All hail, Macbeth, thou shalt be king hereafter!
Banquo. Good sir, why do you start; and seem to fear
Things that do sound so fair? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal: to me you speak not.
If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate.
(stage directions). [Witches vanish]
Banquo. The earth hath bubbles, as the water has,
And these are of them. Whither are they vanish'd?
Macbeth. Into the air; and what seem'd corporal melted
As breath into the wind. Would they had stay'd!
Banquo. Were such things here as we do speak about?
Or have we eaten on the insane root
That takes the reason prisoner?
Macbeth. Your children shall be kings.
Banquo. You shall be king.
Macbeth. And thane of Cawdor too: went it not so?
Banquo. To the selfsame tune and words. Who's here?
Ross. And, for an earnest of a greater honour,
He bade me, from him, call thee thane of Cawdor:
In which addition, hail, most worthy thane!
For it is thine.
Banquo. What, can the devil speak true?
Macbeth. [Aside] Glamis, and thane of Cawdor!
The greatest is behind.
[To ROSS and ANGUS]
Thanks for your pains.
Do you not hope your children shall be kings,
When those that gave the thane of Cawdor to me
Promised no less to them?
Banquo. That trusted home
Might yet enkindle you unto the crown,
Besides the thane of Cawdor. But 'tis strange:
And oftentimes, to win us to our harm,
The instruments of darkness tell us truths,
Win us with honest trifles, to betray's
In deepest consequence.
Cousins, a word, I pray you.
Macbeth. [Aside]. Two truths are told,
As happy prologues to the swelling act
Of the imperial theme.—I thank you, gentlemen.
[Aside] This supernatural soliciting]
Cannot be ill, cannot be good: if ill,
Why hath it given me earnest of success,
Commencing in a truth? I am thane of Cawdor:
If good, why do I yield to that suggestion
Whose horrid image doth unfix my hair
And make my seated heart knock at my ribs,
Against the use of nature? Present fears
Are less than horrible imaginings:
My thought, whose murder yet is but fantastical,
Shakes so my single state of man that function
Is smother'd in surmise, and nothing is
But what is not.
Banquo. Look, how our partner's rapt.
Macbeth. [Aside] If chance will have me king, why, chance may crown me,
Without my stir.
Banquo. New horrors come upon him,
Like our strange garments, cleave not to their mould
But with the aid of use.
Macbeth. [Aside] Come what come may,
Time and the hour runs through the roughest day.
Banquo. Worthy Macbeth, we stay upon your leisure.
Macbeth. Give me your favour: my dull brain was wrought
With things forgotten. Kind gentlemen, your pains
Are register'd where every day I turn
The leaf to read them. Let us toward the king.
Think upon what hath chanced, and, at more time,
The interim having weigh'd it, let us speak
Our free hearts each to other.
Banquo. Very gladly.
Duncan. Welcome hither:
I have begun to plant thee, and will labour
To make thee full of growing. Noble Banquo,
That hast no less deserved, nor must be known
No less to have done so, let me enfold thee
And hold thee to my heart.
Banquo. There if I grow,
The harvest is your own.
Duncan. This castle hath a pleasant seat; the air
Nimbly and sweetly recommends itself
Unto our gentle senses.
Banquo. This guest of summer,
The temple-haunting martlet, does approve,
By his loved mansionry, that the heaven's breath
Smells wooingly here: no jutty, frieze,
Buttress, nor coign of vantage, but this bird
Hath made his pendent bed and procreant cradle:
Where they most breed and haunt, I have observed,
The air is delicate.
(stage directions). [Enter BANQUO, and FLEANCE bearing a torch before him]
Banquo. How goes the night, boy?
Fleance. The moon is down; I have not heard the clock.
Banquo. And she goes down at twelve.
Fleance. I take't, 'tis later, sir.
Banquo. Hold, take my sword. There's husbandry in heaven;
Their candles are all out. Take thee that too.
A heavy summons lies like lead upon me,
And yet I would not sleep: merciful powers,
Restrain in me the cursed thoughts that nature
Gives way to in repose!
[Enter MACBETH, and a Servant with a torch]
Give me my sword.
Macbeth. A friend.
Banquo. What, sir, not yet at rest? The king's a-bed:
He hath been in unusual pleasure, and
Sent forth great largess to your offices.
This diamond he greets your wife withal,
By the name of most kind hostess; and shut up
In measureless content.
Macbeth. Being unprepared,
Our will became the servant to defect;
Which else should free have wrought.
Banquo. All's well.
I dreamt last night of the three weird sisters:
To you they have show'd some truth.
Macbeth. I think not of them:
Yet, when we can entreat an hour to serve,
We would spend it in some words upon that business,
If you would grant the time.
Banquo. At your kind'st leisure.
Macbeth. If you shall cleave to my consent, when 'tis,
It shall make honour for you.
Banquo. So I lose none
In seeking to augment it, but still keep
My bosom franchised and allegiance clear,
I shall be counsell'd.
Macbeth. Good repose the while!
Banquo. Thanks, sir: the like to you!
Lady Macbeth. Woe, alas!
What, in our house?
Banquo. Too cruel any where.
Dear Duff, I prithee, contradict thyself,
And say it is not so.
Malcolm. [Aside to DONALBAIN] Nor our strong sorrow
Upon the foot of motion.
Banquo. Look to the lady:
[LADY MACBETH is carried out]
And when we have our naked frailties hid,
That suffer in exposure, let us meet,
And question this most bloody piece of work,
To know it further. Fears and scruples shake us:
In the great hand of God I stand; and thence
Against the undivulged pretence I fight
Of treasonous malice.
(stage directions). [Enter BANQUO]
Banquo. Thou hast it now: king, Cawdor, Glamis, all,
As the weird women promised, and, I fear,
Thou play'dst most foully for't: yet it was said
It should not stand in thy posterity,
But that myself should be the root and father
Of many kings. If there come truth from them—
As upon thee, Macbeth, their speeches shine—
Why, by the verities on thee made good,
May they not be my oracles as well,
And set me up in hope? But hush! no more.
[Sennet sounded. Enter MACBETH, as king, LADY]
MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants]
Macbeth. To-night we hold a solemn supper sir,
And I'll request your presence.
Banquo. Let your highness
Command upon me; to the which my duties
Are with a most indissoluble tie
For ever knit.
Macbeth. Ride you this afternoon?
Banquo. Ay, my good lord.
Macbeth. We should have else desired your good advice,
Which still hath been both grave and prosperous,
In this day's council; but we'll take to-morrow.
Is't far you ride?
Banquo. As far, my lord, as will fill up the time
'Twixt this and supper: go not my horse the better,
I must become a borrower of the night
For a dark hour or twain.
Macbeth. Fail not our feast.
Banquo. My lord, I will not.
Macbeth. We hear, our bloody cousins are bestow'd
In England and in Ireland, not confessing
Their cruel parricide, filling their hearers
With strange invention: but of that to-morrow,
When therewithal we shall have cause of state
Craving us jointly. Hie you to horse: adieu,
Till you return at night. Goes Fleance with you?
Banquo. Ay, my good lord: our time does call upon 's.
Third Murderer. Hark! I hear horses.
Banquo. [Within] Give us a light there, ho!
First Murderer. Stand to't.
Banquo. It will be rain to-night.
(stage directions). [They set upon BANQUO]
Banquo. O, treachery! Fly, good Fleance, fly, fly, fly!
Thou mayst revenge. O slave!
Since the PlayShakespeare.com editions are released under an open source license, unlike proprietary editions, anyone can freely use them. There is currently no other open source editions available of Shakespeare's works (see this blog post on why that's true).
Welcome to The Folger Shakespeare. Read the full texts of Shakespeare's plays, sonnets, and poems for free from the Folger Shakespeare Library!
The authors are not suggesting that Shakespeare plagiarized but rather that he read and was inspired by a manuscript titled “A Brief Discourse of Rebellion and Rebels,” written in the late 1500s by George North, a minor figure in the court of Queen Elizabeth, who served as an ambassador to Sweden.
Cite: Open Source Shakespeare by William Shakespeare at http://www.opensourceshakespeare.org/ via http://writersinspire.org/content/open-source-shakespeare. Published on 05 April 2012. Accessed on 11 July 2022.
Full name: William Shakespeare. Born: Exact date unknown, but baptised 26 April 1564. Hometown: Stratford-upon-Avon, England.
Original pronunciation (also known as “OP” or “Shakespeare's pronunciation”) is the concept of understanding, performing or listening to Shakespeare's works as they would have been spoken during Shakespeare's time.
The definition of "open source" is defined by the Open Source Initiative (OSI) and the Freedom Software Foundation (FSF) .. To further illustrate the point, there likewise are other sources which claim to have either "free" and/or "open source" editions available:. Open Source Shakespeare (www.opensourceshakespeare.org) This site uses the public domain Globe Edition.. So like the Folger Digital Texts, Open Source Shakespeare is "free of charge", not "free to use".. A few months after we released the First Folio in XML , the Bodleian First Folio project at Oxford University (firstfolio.bodleian.ox.ac.uk) started a First Folio digitalization project, but it was specific to that edition and released under a Creative Commons license (CC BY 3.0) so it doesn't qualify as open source.
But did you know that he has an entire programming language as well?. SPL (Shakespeare programming language) was created to make source code resemble Shakespeare plays.. Then you can run the make command to compile the interpreter or use brew for a faster install and easy precompile.. Next, grab a C compiler that uses Python for the SPL files, which can be downloaded from the SPL GitHub repository .. In this case, I'll grab Hello World to test the compiler and run the code.. Start by creating a file and giving your play a title:. Next, set up your act and scene:. To create a scene, type Scene , the scene number in Roman numerals, a colon, and then a name followed by a period.. Scene I: Arthur and Cleopatra are assigned user-inputted values.. One character will then do math by collecting input from the other.. If you sum the values into one character, the other character in the scene should be the one who says, Open your heart.. That said, if you're feeling Shakesperian, you can set up an entire happy little play that's a program.
Wright: ‘The Heartland of Our Humanities Publishing’ Announced to international news media representatives today (January 22), the unimpeachable pleasures of Cambridge University Press’ new Cambridge Shakespeare: The Works and Worlds of Shakespeare Online will keep the Shakespearean in your household busy for weeks, maybe months.. It was called the Cambridge Shakespeare as the texts were edited by a team academics from the University, and within some 50 years, the company would have embarked on a 40-year effort, the New Cambridge Shakespeare .. “In the 1890s, the press produced a series of single volume editions of Shakespeare’s plays known as the Pitt Press Shakespeare series for schools.. “The New Cambridge Shakespeare was the first series of scholarly Shakespeare editions published by and for the press.. “The year 2016 saw the publication of the Cambridge Guide to the Worlds of Shakespeare … a two-volume work, providing a comprehensive survey of the world in which Shakespeare and his contemporaries lived, and a detailed look at what the world has made of Shakespeare as a cultural icon over the past four centuries.
William Shakespeare is often thought of as one of the greatest writers in the English language.. His plays have been translated into every major language, and are performed more often than any other playwright.. This lesson gives you the chance to look at primary sources concerning Shakespeare, including his will and information about his taxes.. What does Shakespeare leave to his wife?. This is an extract from a certificate made by the tax commissioners showing a list of people living in St Helen’s Bishopsgate, who had not paid their tax in November 1597.. How much tax does Shakespeare owe?. This is an extract from a list made by the tax commissioners of people living in St. Helen’s Bishopsgate, who had not paid their tax in October 1598.. (This area of London was close to Shoreditch where the Lord Chamberlain’s company of actors performed.). How much tax does Shakespeare now owe?. What do you think Shakespeare has been up to between 1597 and 1599?. looking at the bequests in his will, what does this suggest about William Shakespeare’s success?. It is suggested that his friends put it together in case others tried to copy Shakespeare’s work and claim it as their own.. The source evidence in this lesson shows that he was a man of considerable wealth by the time he died, and that most of it was left to his eldest daughter, Susanna Hall.. This lesson provides students with evidence about Shakespeare that differs from the traditional ‘greatest playwright of all time’ material that many will be used to.. Useful for students studying life in Tudor times both from a History and English perspective, this lesson helps students examine Shakespeare as a person rather than a world famous writer.